By Aleks Karnick At AMC’s flagship theater in midtown Manhattan, I caught the 6:30 showing of Inception last Saturday. This was the third theater we tried, the others posting “sold-out” signs until 9:00. It was worth the journey. At the end of the film, members of the audience groaned loudly, then burst into wild applause, two reactions to a movie I had never witnessed occurring in tandem. Inception is twisty and cerebral; it delves into deep philosophical ideas without misleading or confounding the viewer (at least not through any fault of the filmmakers). And that’s just about the only knock critics have had against it, a concern that viewers might be confused by its narrative and theoretical complexity. But a quick look at the the critical acclaim and overwhelmingly positive word-of-mouth the movie is getting—it made more than $60 million in its first weekend—suggest it’s pretty safe to say (most) audiences “get it.” They may not conclude that they’ve understood every subtlety after a first viewing (which only a very simple film will allow anyway), but clearly audiences are not warning their peers to skip the film lest they get lost in the dream world director Christopher Nolan (Memento, The

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