I’m generally not a fan of movie re-makes. If the film is a classic, it should obviously be left alone, since mucking around with perfection can only make things worse. If it was bad the first time (Tron, Clash of the Titans), there was probably a reason, and filmmakers should be looking for better source material. True Grit is an exception, in part because the original 1969 version falls short of being a classic. The Coen Brothers were also doing the remake, and I was very interested to see how their devilish, manic sensibility would fit with the slow, often elegiac rhythms of the traditional Western (one genre they haven’t explored: No Country for Old Men doesn’t count). The answer is…almost perfectly. The Coens’ True Grit improves on the original in almost every way. For the most part, they also tell the story simply, and allow the darkness and menace inherent in the plot to develop naturally. As many readers undoubtedly know, the story is about a teenage girl named Mattie Ross (played brilliantly by newcomer Hailee Steinfeld) who hires a federal Marshal named Reuben aka “Rooster” Cogburn to track down the man who killed her father and bring him






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