The Fox Network’s venerable action-drama series 24, now in its eighth year, has always had to perform a very difficult balancing act: trying to surprise viewers who expect to be surprised, while somehow staying sufficiently connected with reality to sustain viewer interest. In addition, the showmakers have to try to remain somewhat near the extremely high standard established by seasons 2 and 3, in which they expertly blended political relevance, suspenseful drama, theater-quality action sequences, and vivid characters who continually surprise us with their choices without ever bogging down in unnecessary pretensions to psychological depth. This latter characteristic is a key element of the show’s success. Like real human beings, the characters in 24 are motivated largely by present concerns while filtering them through their individual experiences and personalities. In conventional suspense literature and filmed dramas of our time, the central characters typically are given some traumatic events in the recent or distant past which they are trying to work through and over which they agonize as the present narrative events remind them of it. Of course such things do happen in real life, and they are present in 24, but the use of it as a convention becomes more

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