Posts Tagged ‘ Bruce Willis ’

‘Cop Out’ Doesn’t Just Stink, But It’s Racist, Too?

February 27, 2010
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‘Cop Out’ Doesn’t Just Stink, But It’s Racist, Too?

The new movie “Cop Out” has created a lot of buzz, and not just because critics are hammering Kevin Smith’s homage to the ’80s “buddy cop comedies” for being painfully un-funny. The film is apparently racist, too. Film critic Christian Toto gives us the run-down: Armond White of the New York Press, a reliably contrarian voice in film critic circles, slams star Tracy Morgan for his performance: “His broad face and goofy baritone are the essence of how Hollywood once tried to stereotype Louis Armstrong; yet Morgan embraces the denigration, performing a string of mortifying buffooneries.” Critic Emanuel Levy also found fault with Morgan’s character and how the film depicts the Latino heavies in the film. “There’s also an uncomfortable racial awkwardness to a great deal of the material that makes “Cop Out” feel rather unseemly. The opening Morgan monologue is dangerously close to a minstrel act. (Not to mention a recurring and very abysmal subplot involving his raging insecurities about his wife’s alleged infidelities.) “Worst of all, the Mexican criminal lords that become the movie’s traditional heavies are so lazily conceived, overscaled and outrageously drawn that turns “Cop Out” not only into a bad film though a somewhat unpleasant

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Penn and Willis, a Study in Contrasts

August 3, 2007
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Penn and Willis, a Study in Contrasts

Two stories in the news vividly encapsulate the astonishing gulf between left and right today. First, actor Sean Penn in Venezuela, where he applauded Marxist, America-hating President Hugo Chavez. AP reports: Chavez met privately with the 46-year-old actor for two hours Thursday, praising him as being "brave" for urging Americans to impeach President Bush. That’s bravery, all right. Penn languishes in prison to this very day, beaten brutally hour after hour,  for those statements, as he would in Cuba or Venezuela.

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Live Free or Die Hard and Our Dependence on Technology

June 29, 2007
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Live Free or Die Hard and Our Dependence on Technology

When a movie form achieves lasting popularity, it eventually becomes rather baroque, pursuing increasingly bizarre concepts and events in order to bring a little orignality to the overworked format. That has happened with action movies in recent years, as filmmakers have moved into grotesquely weird comic-book concepts and ludicrously impossible action sequences. In such a situation, a little classicism can be a very good thing, as it distinguishes a film by differing it from its increasingly mannered competition, and also foregrounds what people really liked about the genre in the first place. Live Free or Die Hard is a great example of that process, and a superb representative of the action melodrama form. Bruce Willis is the centerpiece of the film, of course, as NYC police Detective Lt. John McClane, who finds himself in Washington, D.C. sheperding a person wanted for questioning by the FBI, when the nation’s entire communications, transportation, and power grids shut down in the wake of an attack by terrorists (or so it would seem….).

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