By Kevin Burton Smith No, CBS’ The Good Wife is not a private-eye show. One of the 2009-10 television season’s most acclaimed new dramas, it’s really more of a legal thriller, closer in format to, say, LA Law. Created by husband-and-wife-team Michelle and Robert King, The Good Wife stars Julianna Margulies (formerly of ER) as Alicia Florric, the feisty, principled wife of Peter, a prominent state’s attorney (Chris Noth), and the mother of two, who stands by her man when he’s arrested and sent to the slammer amidst charges of corruption and a sex scandal. Humiliated, middle-aged, and the focus of unwanted media scrutiny, Alicia has the steely resolve to take the high road as she throws herself back into the workforce as a single mom/junior defense attorney at a high-priced Chicago law firm; her determination is almost inspiring. And it’s that dramatic and unexpected moral underpinning that helps raise this show high above most TV legal potboilers. The real charm of the show, though, lies in its twisty, turny tumble of hidden agendas, lies, and conspiracies. Just when you have a character, a plot, a motive pinned down, the writers yank the rug out. Everyone, it seems, has something








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