Posts Tagged ‘ George MacDonald ’

TAC Fiction Review

December 10, 2010
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TAC Fiction Review

A weekend’s worth of reading – short fiction, reviews, commentary, criticism, news and miscellaneous other bits from around the publishing world. Highlighting this week’s Review is Andrew Klavan’s short story “The Windows.” It is the first short story ever published by in the Manhattan Institute’s City Journal. Andrew’s story is a fascinating exploration of real world threats and personal paranoia. Let’s hope City Journal continues presenting quality short fiction, such as this, alongside its excellent selection of political and cultural essays. Another item that might interest American Culture readers is Gerald Howard’s essay, titled “Never Give An Inch.” Tin House, the literary journal that originally published it, subtitled the article, “The Working Class Meets the Literary Class.” Howard’s essay opens a topic that demands greater exploration. Short Fiction The Windows by Andrew Klavan “During his life — that’s how he thought about it: back in the old days, during his life — he had had a reputation as a hard case, a tough guy.” May Day by F. Scott Fitzgerald “All through the long spring days the returning soldiers marched up the chief highway behind the strump of drums and the joyous, resonant wind of the brasses, while merchants and

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TAC Fiction Review

October 25, 2010
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TAC Fiction Review

Better late than never, I always say. … But then again, maybe that’s because I’m so often late to the party. Oh, well. Here’s a selection of links continuing the Halloween theme, as seen in recent posts. Last week’s Fiction Friday focused on Victorian Age Mysteries. This week it’s Ghost stories and tales of the Supernatural from that same era. Ambrose Bierce kicks things off. Hugh Lamb, “one of Britain’s most acclaimed anthologists of ghosts and gaslight terrors, renowned for unearthing many obscure tales by Victorian and Edwardian writers,” described Bierce as “the Victorian Era’s most shockingly cynical and alarming writer.” Other tales, linked below, come from George MacDonald, Rhoda Broughton, and E.F. Benson. This week’s poetry entry presents a writer from last week’s newsletter, Edgar Allan Poe. What Halloween-themed work, centered on the Victorian Age, would be complete without a piece by Poe? Enjoy. Fiction: “A Bottomless Grave“  by Ambrose Bierce “Uncle Cornelius His Story” (1869) by George MacDonald “The Man With The Nose” (1872) by Rhoda Broughton “The Room in the Tower” (1912) by E.F. Benson “The Man Who Went Too Far” by E.F. Benson, a story spoken highly of by  H.P. Lovecraft in his essay titled “Supernatural

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James Bowman Denies Denying Artistic Standing to Tolkien and Lewis

March 15, 2010
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James Bowman Denies Denying Artistic Standing to Tolkien and Lewis

James Bowman has kindly responded to my comments on his assertion that “fantasy is not Art.” ‘Kindly,’ on second thought, might be stretching things a bit, given that he begins by marginalizing those who disagree with him as nothing more than blog-dwelling trolls*: You can imagine the reaction in the blogosphere— which, as you may or may not know, has way more Lewis and Tolkien fans in it than the population at large. I wonder why that is, by the way? I’ll bet there are far more readers of Mr. Bowman’s latest blog entry in the blogosphere than in the population at large, but I digress. After establishing a suitably dismissive tone with those lines, Mr. Bowman begins his defense with the following: I wonder if it is too late to protest that I did not say what Mr Crandall says I said. What I did say was that fantasy — by which I meant the fantasy actually being produced in our culture today, the fantasy of Avatar or The Dark Knight or that which is, in one way or another, merely derivative from Tolkien or Lewis — represents a break with the Western mimetic tradition to which the fantasies

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C.S. Lewis and J.R.R. Tolkien Are Not ‘Real’ Artists?

March 10, 2010
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C.S. Lewis and J.R.R. Tolkien Are Not ‘Real’ Artists?

Not according to James Bowman. They and numerous others create what Bowman dismissively refers to as “fantasy art.” And fantasy art isn’t Art. It always surprises me when I run across them, but I have to acknowledge that some folks just don’t like J.R.R. Tolkien. Shocking, I know. The Lord of the Rings. The Hobbit. The Silmarillion’s mythopoeic tales. What’s not to like? Great works of art and creativity, right? Well, they might be creative, but they do not qualify as Art. Mr. Bowman is among that group of curmudgeonly scolds that just can’t seem to abide anything that smacks of fantasy. According Bowman, fantasy is not art, at least not in the sense that the term has been understood within the Western mimetic tradition going back to Homer. … Indeed, Western culture is so intimately bound up with the tradition of imitation in art … that the now more than century-long vogue for fantasy art, beginning with George MacDonald, J.M. Barrie, and Kenneth Grahame and continuing through Lewis and Tolkien to the more unrestrained science-fiction and fantasy cinema of our own time, should be seen as a repudiation, conscious or unconscious, of that Western tradition

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"Culture is the expression of the guiding philosophy of the day."—Murray Rothbard

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