Clearly the sophisticated and genteel milieus found in the detective novels of Dorothy Sayers, Ngaio Marsh, and Margery Allingham could not have been much better designed by deliberate intent to grate on Chandler’s class-sensitive nerves. The testy hardboiled author felt much differently, however, about the plainer mystery fare offered by Freeman Wills Crofts and, especially, R. Austin Freeman. Even in “Simple Art” Chandler praised Crofts, best known for his methodical tales of patient criminal investigation and determined alibi busting, as “the soundest builder of them all when he doesn’t get too fancy”; and in his correspondence Chandler admitted that he knew Crofts’ work (and Freeman’s) “very well.”


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