Posts Tagged ‘ Raymond Chandler ’

Raymond Chandler and British Detective Fiction (Part 2)

August 11, 2011
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Raymond Chandler and British Detective Fiction (Part 2)

Clearly the sophisticated and genteel milieus found in the detective novels of Dorothy Sayers, Ngaio Marsh, and Margery Allingham could not have been much better designed by deliberate intent to grate on Chandler’s class-sensitive nerves. The testy hardboiled author felt much differently, however, about the plainer mystery fare offered by Freeman Wills Crofts and, especially, R. Austin Freeman. Even in “Simple Art” Chandler praised Crofts, best known for his methodical tales of patient criminal investigation and determined alibi busting, as “the soundest builder of them all when he doesn’t get too fancy”; and in his correspondence Chandler admitted that he knew Crofts’ work (and Freeman’s) “very well.”

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Loren D. Estleman’s “Retro:” The Sincerest Form of Hard-Boiled

May 23, 2011
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Loren D. Estleman’s “Retro:” The Sincerest Form of Hard-Boiled

By Lars Walker With apologies to Dashiell Hammett fans (after all, I am one myself), I think the archetypal hard-boiled private eye will always be Raymond Chandler’s Philip Marlowe. Every hard-boiled shamus to this day—and likely far into the future—has to touch his cap, one way or another, to that tall Californian in the trench coat. Even if “he” is a she, even if the writer updates the concept by giving him computer skilz, endowing him with a regular girlfriend, or moving his office to an airplane cockpit. Even if he doesn’t smoke and doesn’t drink, has adopted Buddhism, and treats his body like a temple. Loren D. Estleman bucks that trend. He flatters, sincerely, by imitation. His Detroit P.I., Amos Walker, could be Marlowe’s love child, or maybe Marlowe was cryogenically frozen. Amos Walker wears a hat (or did in the early books of the series, though he admits here that he doesn’t own a trench coat). He smokes and refuses to worry about it, and drinks with enthusiasm. His office, in a seedy building downtown, is exactly like Marlowe’s as far as I can tell, except for the view. The result makes for a very comfortable read for

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Fiction Friday’s focus on Robert B. Parker

January 22, 2010
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Fiction Friday’s focus on Robert B. Parker

On Monday, Janaury 18, 2010 Robert B. Parker joined Raymond Chandler, Ross Macdonald, Dashiell Hammett and Mickey Spillane in that great heavenly mystery writer’s group. A massive heart attack struck Robert Parker down while seated at his desk working on his latest novel. This week’s issue of The Culture Alliance’s Fiction Friday newsletter focused on Mr. Parker’s work. Tom Nolan, editor of Ross Macdonald’s The Archer Files: The Complete Short Stories of Lew Archer, Private Investigator, notes that Parker “revivified the P.I. genre” building upon aspects of the genre’s greats: he bantering dialogue of Raymond Chandler, the concern for young people expressed by Ross Macdonald, the swift action of Dashiell Hammett, even the violence of Mickey Spillane. Nolan continues: He wrote dialogue that at once informed, amused and gave a sense of character; and he conjured characters a reader wanted to spend more time with—especially Spenser, a fixed point in a footloose world, take him or leave him. A pragmatist whose ethics were situational. A tough and decent type who did what needed to be done in the service of a moral cause, affirming the worth of the individual regardless of race, sexual orientation, social status, age or occupation. He

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