Posts Tagged ‘ tracy morgan ’

TNT Apologizes for Morgan’s Palin Comment

January 28, 2011
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TNT Apologizes for Morgan’s Palin Comment

Turner Network Television has issued an apology for a comment made by comedian Tracy Morgan in an interview before last night’s NBA game broadcast. Asked about the appeal of former Alaska governor and Republican vice presidential candidate Sarah Palin and invited to compare her with comedienne Tina Fay (his costar on the NBC comedy 30 Rock), Morgan said that Palin is “good masturbation material,” making sure to repeat the phrase for emphasis, calling her “great masturbation material.” TNT apologized publicly. “It’s unfortunate Mr. Morgan showed a lack of judgment on our air with his inappropriate comments,” said Turner representative Jeff Pomeroy in a press statement. I happened to be watching at the time, and I found the exchange rather startling but, well, also rather charming and amusing, given what one has come to expect from Tracy Morgan as a comedian and public figure. Too bad there were probably a good many pre-adolescent boys watching that pregame show and wondering what Morgan’s phrase meant. It will undoubtedly open up a whole new world for them, but one that the culture would have shoved them into in due course anyway.

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‘Cop Out’ Doesn’t Just Stink, But It’s Racist, Too?

February 27, 2010
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‘Cop Out’ Doesn’t Just Stink, But It’s Racist, Too?

The new movie “Cop Out” has created a lot of buzz, and not just because critics are hammering Kevin Smith’s homage to the ’80s “buddy cop comedies” for being painfully un-funny. The film is apparently racist, too. Film critic Christian Toto gives us the run-down: Armond White of the New York Press, a reliably contrarian voice in film critic circles, slams star Tracy Morgan for his performance: “His broad face and goofy baritone are the essence of how Hollywood once tried to stereotype Louis Armstrong; yet Morgan embraces the denigration, performing a string of mortifying buffooneries.” Critic Emanuel Levy also found fault with Morgan’s character and how the film depicts the Latino heavies in the film. “There’s also an uncomfortable racial awkwardness to a great deal of the material that makes “Cop Out” feel rather unseemly. The opening Morgan monologue is dangerously close to a minstrel act. (Not to mention a recurring and very abysmal subplot involving his raging insecurities about his wife’s alleged infidelities.) “Worst of all, the Mexican criminal lords that become the movie’s traditional heavies are so lazily conceived, overscaled and outrageously drawn that turns “Cop Out” not only into a bad film though a somewhat unpleasant

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